I have always seen my life as a journey, with lessons to be learnt along the way. Adventures on land and sea have drawn me into contact with many races and traditions and brought me close to nature in its many moods. When a physical journey ends, an inner journey takes me in directions I had never looked at before. Early spiritual questioning led me to eastern philosophies and made me aware of the underlying links between all cultures. In relying on my own experiences rather than what others have written, I believe my writing brings a freshness and individuality to the age-old questions of who we are and where we are going.
The Tao in the Tarot correlates the archetypes of the Major Arcana of the Tarot and hexagrams of The I-Ching, which Taoism underpins. After placing the 22 Major Arcana cards in a circle, like a Wheel of Life, I came to appreciate the oriental aspect concealed within it. Each tarot archetype is yin or yang in its attributes and a combined yin/yang card joins each pair of opposites. They formed a trail of triangles which reminded me of a string of DNA.
The basic numbers inherent in the Major Arcana and the I-Ching connect these two divinatory methods. The grail legend, antique deities, music, and dance are no less a part of the narrative.
The innovative thinking in this book inspired me to put my original ideas into writing. Here was someone else who was looking into the profound origins of humanity and how the world is made up. It reassured me I was on the right track in associating the Major Arcana of the Tarot with the I-Ching. Michael Hayes goes further in detecting a numerical and musical synthesis between ancient doctrines and current scientific discoveries. It is not a quick read, but a real eye-opener. Whilst not agreeing with all of it, there was so much fascinating information; I had to read it through twice straight off.
This is a numerical study proving that religion and science share a common underlying structure, which is very similar to music theory. This study proposes that all the world's major religious and esoteric doctrines share a common scientific origin. Further that this hidden science is none other than musical theory: music being the true common denominator of both religious and scientific traditions. From the mysterious cults of ancient Egypt, China and India and Greece right through to the latest findings in molecular biology and particle physics, there is a law of proportions that corresponds to the rules of music.
Despite the rather off-putting title, I found this book really interesting. Written by a specialist psychologist, it presented a new theory about the way human thinking has developed from the earliest beginnings. I was particularly interested in his concept that ancient man ‘heard the voice of god’ inside his mind, but as ‘primitive’ humans became more individualised, the gods were heard less often, until they could no longer be heard at all. This resonates with the myths that in a Golden Age humankind ‘walked with God’ but as aeons passed, the gods retreated. At this juncture, people started to construct images of their gods and divination appeared as a way to contact ‘the divine’. But that is a tiny part of this thought-provoking work.
At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion -- and indeed our future.
This is an easy-to-read book for anyone new to a Buddhist way of thinking. The deceptively simple philosophy put forward by the author is startlingly relevant to all of us in today’s world – a world so obviously in need of restoring balance. Choje Akong Tulku Rinpoche was the founder of the first Tibetan Buddhist Centre in the U.K.
In the preface, Govinda explains: Anticipating the future, Tomo Geshe Rinpoche, one of the greatest spiritual teachers of modern Tibet and a real master of inner vision, left his remote mountain hermitage ... and proclaimed that the time had come to open to the world the spiritual treasures which had been hidden and preserved in Tibet for more than a thousand years. Because humanity stands at the crossroads of great decisions: before it lies the Path of Power ... leading to enslavement and self-destruction – and the Path of Enlightenment ... leading to liberation and self-realization.
This deeply spiritual book takes the reader through the Tibetan mantra: Om Mani Padme Hum in a way that gives true meaning to what it really is to be human.
A complete explanation of the esoteric principles of Mantra that also clarifies the differences between Hindu and Tibetan yoga. Translated into many languages, this is an important text for any student of Buddhism. With bibliography, index, and illustrations.
I want to include this slim volume of four fairly long, connected poems because I have turned to it so often over the years. T.S. Eliot could be called a modern mystic, for he was ahead of his time. Nostalgia for another age is mixed with single lines that keep you thinking for days, and there are elements you can only appreciate intuitively. Reading these poems takes me to unknown places that I think I remember, and to times beyond this time.
Four Quartets is the culminating achievement of T.S. Eliot's career as a poet. While containing some of the most musical and unforgettable passages in twentieth-century poetry, its four parts, 'Burnt Norton', 'East Coker', 'The Dry Salvages' and 'Little Gidding', present a rigorous meditation on the spiritual, philosophical and personal themes which preoccupied the author. It was the way in which a private voice was heard to speak for the concerns of an entire generation, in the midst of war and doubt, that confirmed it as an enduring masterpiece.
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
With input from over 100 musicians, the book discusses what exactly jazz is, and how you know you are listening to it. Do we truly know when and how jazz first originated? Who was the first jazz musician? How does jazz link to other genres? What about women in jazz? And writers and journalists? Do reviews make any difference?
This book is a deep dive into jazz's history, impact, and future. It discusses jazz's social, cultural, and political influence and reveals areas where jazz has had an impact we may not even realize.Its influences on hip hop, the connection to…
This book is very different from other, more general jazz books. It is packed with information, advice, well researched and includes experiences from jazz musicians who gleefully add their rich voices to Sammy's in-depth research. All genres, from hard bop to be-bop, vocal jazz, must instrumental, free jazz, and everything between is covered in one way or another and given Sammy's forensic eye. There is social commentary and discussions of careers in jazz music. The musical background of those in the book is rich and diverse. Critics comment: "This new book by Sammy Stein is a highly individual take on…
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